Company Info Media Center Calendar of Events Venues Contact Us All About Opera Site Map
Virginia Opera LogoA Story that's Music to Your Ears
LINK: Back to Virginia Opera Home Page LINK: Current OperasSupport Virginia OperaLINK: Education and OutreachLINK: Get Social
In This Section
Save Even More!
Receive special
benefits with
subscription
packages.
LINK: Subscribe Now
Current Operas
Rigoletto
LINK: Email This Page
Rigoletto
Giuseppe Verdi

A father's revenge is no jester's joke
Torn between a servant’s bitterness and a father’s love, Rigoletto discovers that revenge is a double-edged sword.

Conductor: PETER MARK
Stage Director: MARC ASTAFAN

Performed in Italian with English Supertitles


 

Study Guides

 

Historical Background

Virginia Opera features a free pre-opera discussion 45 minutes before each opera performance by Dr. Glenn Winters, Virginia Opera's Community Musical Outreach Director. The discussion is humorous and informative. Don't miss it!

Running time approx: 0 hr 00 min

Setting: The scene of the opera is Sixteenth century Mantua.

ACT I: 

Mantua, 1500s. At his palace, the Duke lightheartedly boasts to his courtiers of amorous conquests, escorting Countess Ceprano, his latest prize, to a private chamber as his hunchback jester, Rigoletto, makes fun of her husband. Marullo announces that Rigoletto is suspected of keeping a mistress, and Ceprano plots with the courtiers to punish the hated buffoon. Attention is diverted when Monterone, an elderly nobleman, enters to denounce the Duke for seducing his daughter. Ridiculed by Rigoletto and placed under arrest, Monterone pronounces a curse on both the Duke and his jester.

On his way home that night, Rigoletto broods on Monterone's curse. Rejecting the services offered by Sparafucile, a professional assassin, he notes that the word can be as deadly as the dagger. Greeted by his daughter, Gilda, whom he keeps hidden from the world, he reminisces about his late wife, then warns the governess, Giovanna, to admit no one. But as Rigoletto leaves, the Duke slips into the garden, tossing a purse to Giovanna to keep her quiet. The nobleman declares his love to Gilda, who has noticed him in church. He tells her he is a poor student named Gualtier Maldè, but at the sound of footsteps he rushes away. Tenderly repeating his name, Gilda retires. Meanwhile, the courtiers stop Rigoletto outside his house and ask him to help abduct Ceprano's wife, who lives across the way. The jester is duped into wearing a blindfold and holding a ladder against his own garden wall. The courtiers break into his home and carry off Gilda. Rigoletto, hearing her cry for help, tears off his blindfold and rushes into the house, discovering only her scarf. He remembers Monterone's curse.

ACT II. In his palace, the Duke is distraught over the disappearance of Gilda. When his courtiers return, saying it is they who have taken her and that she is now in his bedchamber, he joyfully rushes off to the conquest. Soon Rigoletto enters, warily looking for Gilda; the courtiers bar his way, though they are astonished to learn the girl is not his mistress but his daughter. The jester reviles them, then embraces the disheveled Gilda as she runs in to tell of her courtship and abduction. As Monterone is led to the dungeon, Rigoletto vows to avenge them both.

ACT III. At night, outside Sparafucile's run-down inn on the outskirts of town, Rigoletto and Gilda watch as the Duke flirts with the assassin's sister and accomplice, Maddalena. Rigoletto sends his daughter off to disguise herself as a boy for her escape to Verona, then pays Sparafucile to murder the Duke. As a storm rages, Gilda returns to hear Maddalena persuade her brother to kill not the Duke but the next visitor to the inn instead. Resolving to sacrifice herself for the Duke, despite his betrayal, Gilda enters the inn and is stabbed. Rigoletto comes back to claim the body and gloats over the sack Sparafucile gives him, only to hear his supposed victim singing in the distance. Frantically cutting open the sack, he finds Gilda, who dies asking forgiveness. Monterone's curse is fulfilled.

About the Composer

Giuseppe Verdi

Giuseppe Verdi (1813-1901)

Giuseppe Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. Verdi’s masterworks dominate the standard repertoire a century and a half after their composition.

With the death of national Italian poet Alessandro Manzoni in 1874, Verdi responded with the composition of his "Messa da Requiem", which some critics still call "Verdi's greatest opera" because of its passionate and intensely dramatic writing. In his last years, Verdi worked closely with Arrigo Boito, a poet and composer of operas himself, in the construction of the librettos, or texts, of what would become his final two operas. Both based on Shakespearean subjects, the results are widely regarded as Verdi's greatest triumphs, the tragedy "Otello" and the comedy "Falstaff", (based on "The Merry Wives of Windsor,").

When Verdi died in 1901 he was admired, revered, and acknowledged as probably the greatest composer Italy had ever produced. His works had almost completely monopolized the Italian operatic scene for most of the nineteenth century, and many lesser composers rushed to fill the void left by his death. Many composed in a style reminiscent of Verdi's final operas (particularly Otello), a style that was to influence the emerging verismo school of Italian opera and which led directly to the works of Giacomo Puccini.

When he died at the age of 87, two hundred thousand people came to pay homage. The composer had instructed that no music be played at his funeral; however, before the procession left the cemetery, Arturo Toscanini conducted a mass choir which sang his beloved "Va, Pensiero" from "Nabucco", which soon spread throughout the crowd.

Dates and Times

Norfolk, VA View Pricing
October 2, 2010, 8:00 pm
October 6, 2010, 7:30 pm
October 8, 2010, 8:00 pm
October 10, 2010, 2:30 pm

Richmond, VA View Pricing
October 22, 2010, 8:00 pm
October 24, 2010, 2:30 pm

Fairfax, VA View Pricing
October 15, 2010, 8:00 pm
October 17, 2010, 2:00 pm

LINK: Subscribe Now and Save!
Cast
The Duke of Mantua:  AURELIO DOMINGUEZ
Rigoletto:  FIKILE MVINJELWA
Gilda:  SANG-EUN LEE
Count Monterone:  SCOTT BEARDEN
Sparafucile:  NATHAN STARK
Maddelena:  AUDREY BABCOCK
Marullo:  KEVIN MORENO
Matteo Borsa:  ANDREW OWENS
Count Ceprano:  EVAN BRUMMEL
Giovanna:  LINDSAY RUSSELL
Countess Ceprano:  SARAH LARSEN
A Page:  SARAH KATE WALSTON
An Usher:  OLIVER NEAL MEDINA
Crew
Conductor:  PETER MARK
Stage Director:  MARC ASTAFAN
Lighting Designer:  CHRIS KITTRELL
Wig & Makeup Designer:  JAMES P. McGOUGH
Stage Manager:  CHRISTINE SANZONE
Assistant Stage Director:  RICHARD GAMMON
Associate Conductor and Chorus Master:  JOSEPH WALSH
Principal Coach:  LAURA FRIESEN
Rehearsal Pianist:  EMILY SENTURIA
Costumes:  MALABAR LIMITED
Italian Diction Coaches:  LAURA & VICTOR SONNINO
Scenic Designer:  PETER HARRISON
Thanks to Our Sponsors

 

 

Business Consortium for Arts Support


E. Rhodes & Leona B. Carpenter Foundation 

 

 


Norfolk Southern


Virginia Commission for the Arts

 


 

PRINT MEDIA SPONSOR

 

 

Program Book Advertisers

 

To be listed soon!

 


LINK: Buy Tickets Now Buy Tickets Now for an individual show!
© 2010 Virginia Opera Association.
All rights reserved.
Email us at: info@vaopera.org
Toll-free: 1.866.OPERA.VA or 1.866.673.7282
Virginia Opera Home Page
Current OperasSupport Virginia OperaEducation & OutreachGet Social
Buy TicketsSubscribeGroup SalesSpecial Offers
Company InfoNewsCalendar of EventsVenuesContact UsAll About OperaSite Map
CURRENT SHOWS: RigolettoCosì Fan TutteThe ValkyrieMadama Butterfly